News

Save the Date: September 24-25, 2021

Hold on to your hats! We’re happy to share that Dlectricity is now scheduled for September 24-25, 2021. We’re excited to dig in and begin the planning efforts to make Dlectricity safer, more interactive and a bold celebration of Detroit’s Cultural Center. Stay tuned for details…

Our open call has ended, but this is just the beginning!

And that’s a wrap! Our 2020 DLECTRICITY Open Call for Entries closed last night at midnight, and we are both inspired and impressed by the range of ideas that have been submitted! We are grateful for the interest shown in the festival. Artists from 33 countries sent in proposals, including many local Detroiters (see above map). We deeply appreciate each artist for taking their time to develop such awesome ideas for DLECTRICITY.

THANK YOU!

DLECTRICITY is grounded on the mission to support both emerging and established artists, local or international. Each festival has been at once spectacular, innovative and a worthwhile experience thanks to the artists selected from our open call. We value their skillsets, creativity and drive—these are the people that make up DLECTRICITY! And we have the utmost respect for all the artists who pursued this open call opportunity.

Our reach grew this year, and for that we can thank our community partners for helping us spread the word: The Cranbrook Academy of Art, Design Core Detroit, the DTE Foundation & DTE’s Beacon Park, Mercury Sound & Lighting, MOCAD and the Toledo Arts Commission. We’d also like to thank all of our past artists for sharing their experiences with others—the arts community is strong and resourceful, and we’re happy to be a part of it as well as support it.

Here’s what’s next:

Mid-March: The curatorial committee convenes for the first phase of selection.

Late March–Late April: the projects selected by the curatorial committee go through a technical vetting process. This takes about six weeks.

Summer: project selections are confirmed and publicly announced!

This is just the beginning… we are really looking forward to reviewing everyone’s submissions and seeing which ones will come to life at DLECTRICITY! Stay tuned for now.

DLECTRICITY Site #10: The Detroit Institute of Arts

The Detroit Institute of Arts is known to be one of the most culturally significant institutions in the Midwest. With over 65,000 works of art in its collection, the DIA is home to notable masterpieces such as Diego Rivera’s Detroit Industry frescoes, and houses Vincent van Gogh’s Self Portrait—the first artwork by van Gogh to enter a U.S. collection. The DIA is also a strong community partner to all of the Metro Detroit area. In addition to supporting local contemporary artists, the museum has made it a priority to build an art collection that reflects the diversity of metro Detroit and has also embarked on educational endeavors that encourage visitors to engage with artworks, history and each other.

The DIA’s lawn is spacious and offers the perfect spot for DLECTRICITY to host “Electric Park”—a family and kid-friendly site for interactive installations on the North-West lawn. This DLECTRICITY feature is one of our most eventful, and the open green space, winding path and plethora of trees is very welcoming to fun projects. Among these, Arts & Scraps hosted a workshop that allowed DLECTRICITY visitors to explore how white light is made up of primary colors.

Across from Electric Park, on the South-West lawn of the museum, is the same topography to accommodate bold and experimental works. The museum’s building provides smooth, flat and light-colored surfaces at different parts for video projections and dazzling light shows. The perimeter of the building offers other wall surfaces and more. The back staircase was transformed into a theater by Apetechnology in 2017.

The museum sits as one of the first sites at the entrance of the DLECTRICITY footprint, and each festival year it is one of the most bustling. We thank the DIA for their contributions to past DLECTRICITYs and again for 2020!

DLECTRICITY Site #5: The Museum of Contemporary Art Detroit

Since its doors opened in 2006, the Museum of Contemporary Art Detroit (MOCAD) has been a point of intersection in the contemporary arts. At the core of the museum’s mission is to educate, embolden and invigorate the Detroit community through contemporary arts. As a hub for artists and thinkers, MOCAD exhibits and collaborates with local Detroit artists, and often brings internationally acclaimed artists into the city to learn and experience it, typically resulting in a moment of convergence between that artist’s practice and the essence of Detroit. For each DLECTRICITY, MOCAD’s offerings make it one of the most vibrant sites of the festival.

The outdoor campus of the museum is spacious with a lot of wall space. Its West-facing facade sites directly on Woodward Avenue, and its East façade welcomes visitors in the parking lot. Both spots are large and have before showcased neon lights, as in the case of Martin Creed’s Work No. 790: Everything is Going to Be Alright on the West façade (2017), or video projections, like Zeynep Dagli on the East façade (also 2017). The front façade also provides plenty of wall space, and in 2017 it hosted E.S.P. TV’s You Don’t Say Much, Do You?

The Mike Kelley Mobile Homestead is a landmark for the Midtown arts community, and it is MOCAD’s only permanent installation. Conceived as a work of art by the artist Mike Kelley himself, the installation is a life-size replica of his childhood home in Westland, Michigan. The interior space maps out exactly as Kelly’s Westland home, and it generously offers additional spacing for public programming at the Museum, and often houses smaller exhibitions. Like what most homes have, the Homestead has a large, spacious and green front lawn that can accommodate sculptural works or even outdoor performances. DLECTRICITY artists in the past have incorporated the Mobile Homestead into their projects, like the Munich-based duo, Mayer + Empl had done in 2017.

Other artists that have displayed works around and inside MOCAD for DLECTRICITY include Shaun Gladwell, Nicola Kuperus, Adam Lee Miller, Mikki Olson, and Sameer Reddy. We look forward to another DLECTRICITY at MOCAD!

DLECTRICITY Site #8: The Cathedral Church of St. Paul

The Cathedral Church of St. Paul is the ideal site for lovers of architecture. The Cathedral’s alluring façade sits on Woodward avenue and faces Wayne State’s Woodward | Warren Greenspace. It’s located in the center of DLECTRICITY’s Midtown footprint, and each festival year, it’s architecture successfully entices visitors to see what’s going on inside and outside its space.

The nationally recognized building was designed and constructed in 1907 by the architect Ralph Adams along with his associates at Cram, Goodhue and Ferguson. The Cathedral is emblematic of Gothic Revival architecture. The National Park Service calls the Detroit cathedral “one of the first and finest examples of the Late Gothic Revival” (NPS.gov).

Gothic Revival architecture first flourished in England until it hit the United States by the 20^th century. The style aspires to develop from the original gothic style of Medieval architecture. It was a contrast to the popular Neo-Classica designs that were prevalent in 19^th-century buildings.

Indoors, the cathedral is beautifully designed with gothic-inspired furnishings and remarkable decorative details. In the past, artists have used the architectural components of the space to accentuate the aura of their art. Japan-based artist Akiko Nakayama painted live at the Cathedral of St. Paul for DLECTRICITY 2017, and the ethereal aura of the space complemented the changing pictures and sounds of her performance, together making an extraordinary experience. Other artists that have exhibited inside the cathedral for DLECTRICITY include Zackery Belanger in 2014 and Sarah Rara in 2017.

On the outside, the cathedral provides a courtyard space for more a variety of work, from projections to performance. Here, artist and dancer Biba Bell conceived a performance for DLECTRICITY 2012. In its essence, it was part installation, part dance: harnessed to the backs of eight dancers, light and images traced movement pathways and lit up the exterior walls of the Cathedral Church of St. Paul. The exterior space of the cathedral also hosted the works of Charlotte Becket in 2014 and Nikola Dike in 2017.

In addition to its history and architecture, the Cathedral Church of St. Paul is a dedicated organization to its community. We give them our thanks for lending its space to DLECTRICITY!

DLECTRICITY Site #7: The N’Namdi Center for Contemporary Art

One feature of Detroit that makes the city recognizable internationally is its arts community. Its innovative, daring, inquisitive and prolific art scene can’t maintain those adjectives without the individuals and organizations that form its foundation. One of those places is the N’Namdi Center for Contemporary Art, and we’re happy to again include it in our footprint for DLECTRICITY 2020!

George N’Namdi is a pioneer in the Detroit gallery scene and has been on the DLECTRICITY curatorial committee since its inception. In 1982 N’Namdi launched his family-based G.R. N’Namdi Gallery; he later expanded his holdings to include galleries in Chicago and in New York City. N’Namdi’s son, Jumaane, managed the Chicago gallery and now oversees a Miami Gallery. He has exhibited the works of artists Hughie Lee Smith, James VanDerZee, Allie McGhee, and Barbara Chase Riboud. The N’Namdi Center’s mission is to spread appreciation of the arts and enlighten through the arts, and it sees to it by upholding a diverse exhibition program and immersing activities such as yoga and dance into its agenda.

The N’Namdi building complex includes a pedestrian alleyway that leads directly to another major DLECTRICITY site, MOCAD. This passageway provides opportunity to present luminous works of art that engage with passersby. Just off the alley is the N’Namdi Movement Center, a space that typically hosts movement-based classes but also welcomes artwork for DLECTRICITY. Additionally, the building provides a great exterior wall that faces Woodward where wall reliefs can be exhibited, or media-works can be projected. In the past, the front glass windows of the gallery space have been projected from the rear, and the interior of the space has made room for small performances. The N’Namdi Center has shown artists Jeffrey Chiplis, Michaela Mosher, Jasmine Murrell, Scott Reeder, and Vagner Whitehead in the past for DLECTRICITY.

Many thanks to George N’Namdi and his Center for Contemporary Art for their continuous contributions to DLECTRICITY!